Plan view for the park

The camera for the establishing shot is in red. I wanted the path to be at such an angle as to warrant an establishing shot that would show some hint of a street behind the trees - perhaps the street in the earlier scene itself.

Using this plan, we can figure out the more cinematic camera angles that occur in the climax of the film.

Further concepts will follow, but here's a still from One Hundred and One Dalmations to give an idea of where I'll be going with this.